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#MAD MAX FURY ROAD SCENES TV#
for BBC2 quiz showīritain's top TV shows of 2021: From the Euro 2020 final and Line of Duty to Boris Johnson ordering the January lockdown and Harry and Meghan's bombshell Oprah interviewīen Affleck masks up while rocking a blazer for a stroll around the neighborhood. Viewers quit Simon Cowell's comeback ITV talent show Walk The Line.
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How did Katie Price fund six holidays this year - and £15,000 of cosmetic surgery - when she's bankrupt and owes £3.2million? The ultimate spot for Christmas shopping, a stunning illuminated walk and the best TV to watch this festive season: Here's what we're loving in December 'I am not ready to say goodbye:' Holby City stars pay tribute as they wrap filming on the show's FINAL episode after 23 years Gangs of London season two: Sky Atlantic drama unveils FIRST LOOK images as show picks up one year after the explosive events of first seriesĭenise Van Outen puts on a leggy display in a plaid miniskirt and leather thigh-high boots as she heads home after Cabaret All Stars performance She's not taking cancel attempts lying down It doesn’t need to be anything else.So much for gratitude: Harry Potter stars and studio who owe their fortunes to JK Rowling have turned on her.
#MAD MAX FURY ROAD SCENES MOVIE#
Fury Road is a “B” movie with an inflated budget. If Fury Road is “about” anything, it is about being awesome to behold. The filmmakers clearly think certain things about how society should work, and those thoughts have worked their way into this story, but those thoughts are not the point of this story. Unlike some science-fiction stories which exist to argue for the rightness of a certain ideological perspective, Fury Road simply includes ideologies as aspects of its characters and world. Whatever else Fury Road is, it is spectacle of the highest sort spread generously over the thinnest of plots, like clotted cream on a crêpe.Īs many are saying, including Kent Webber and Steve Vredenburgh for us, there’s a lot of interesting aspects to the world and culture George Miller and team have created in this film. What Fury Road’s chases scenes lack in scale-it is impossible to judge size and distance when the only reference points are other moving objects of similar size on a featureless expanse-they make up for in visceral impact. The awesomeness of Mad Max: Fury Road is an indictment as much as it is an inspiration. In the wasteland of overly-plotted, incomprehensible “action” spectacles that is our current cinema-scape, our hearts have apparently grown fond of the kinds of films we enjoyed a century ago. It’s just been a while since we’ve seen it. The three chase scenes that begin, energize the middle, and end this film are among the most frantic chase scenes I’ve seen since Buster Keaton climbed aboard his trusty locomotive in The General, which is to say, what you see in Fury Road has been done before. This is a feat considering the energy of Fury Road’s action set pieces. The heroes have bigger hearts, of course, and Miller is glad to give them all room to grieve in this movie. Joe may be a monster, but he’s a monster with a heart. Even the film’s villain, the ironically named Immortan Joe, sincerely mourns his losses (even as he contributes to the grief of many others by using others’ bodies to perpetuate his own family line). In Fury Road, that light shines on the way these beleaguered captives of this post-apocalyptic wasteland mourn the loss of those they care about. The darkness of George Miller’s post-apocalyptic world demonstrates both.Īs dark as Miller’s movie universes can get, he always cracks open the sky just enough to let the light break through. There’s a beautifully twisted sensibility at work behind this film, one that understands both the frailty and the resilience of people’s bodies and spirits. Watch it.įury Road returns Miller’s own palate to him again, and he splashes his canvas with rust, blood, mud, smoke, silver spray paint, motor oil, and bodily fluids you’re best off discovering for yourself. He always has been, and he even finds ways to bring those skills to unlikely movie properties like the glorious Babe: Pig in the City. Writer/director/maestro of mayhem George Miller is a master of action choreography and production design. In other words, it’s the movie “of the moment” with enough somethings included to make anyone’s eyes light up who likes to have anything to say about movies. Mad Max: Fury Road is an apocalyptic rumination mixed with a gender-role deliberation fueled by a body-centric economic system augmented with religiosity as tribal accouterment all wrapped up in a franchise extension with a violence-as-spectacle bow on top.